Featured
Wednesday, October 14, 2026
AMIE is audio quality control for mastering and delivery. It finds clicks, drops, distortion and level problems in seconds, fixes what can be fixed, and shows you how your master will play on every streaming platform before you release it. Here is the tour.
Rob Richards
Wednesday, October 14, 2026
One table with the loudness level each major streaming service normalizes to, whether it turns quiet tracks up, how it handles albums, and where each number comes from. Checked against the platforms’ own documentation and kept current.
Rob Richards
Monday, October 12, 2026
Convert between 44.1, 48, 88.2 and 96 kHz, at 16- or 24-bit or 32-bit float, with proof that the result is clean.
Rob Richards
Wednesday, October 21, 2026
Rob Richards
How loud should a mix be before mastering?
There is no magic number, but there is a right answer: leave headroom, skip the limiter, and keep the songs of a release consistent with each other. Here is what mastering engineers actually want from a mix, and a fast way to get a whole album there.
Monday, October 12, 2026
Rob Richards
Clicks, pops, drops and distortion, flagged in seconds
AMIE scans every file for the three defects that slip past a tired ear, and shows you exactly where they are.
Monday, October 12, 2026
Rob Richards
Integrated loudness, true peak and dynamic range
The three numbers every delivery spec asks for, measured the way the streaming platforms measure them.
Monday, October 12, 2026
Rob Richards
Tonal tilt and stereo imaging
Is the master dark or bright, wide or narrow? AMIE gives you a reference to measure against instead of a guess.
Monday, October 12, 2026
Rob Richards
True bit depth, including 16-in-24 padding
The file header says 24-bit. AMIE checks whether the audio inside actually is.